Inconnu No Gods No Masters Cabernet Sauvignon
Out of stock
Region: North Coast, California
Grape varieties: Cabernet Sauvignon
Inconnu No Gods No Masters Cabernet Sauvignon is an old-school Cab, from 80 + year old vines in Napa and Sonoma. Lean and mean!
Song: Immigrant Song by Led Zeppelin
Out of stock
Save 10% when you buy six or more bottles (mix and match)
ABOUT THE PRODUCER
About Inconnu No Gods No Masters Cabernet Sauvignon
Inconnu No Gods No Masters Cabernet Sauvignon is an old-school Cab, from 80 + year old vines in Napa and Sonoma. This red is lean and built to age, but with some time and air to open up, it expresses brambly and dusty red fruit with intense forest floor undertones. This is an elegant and classic example of Cab, showing all of the varietal qualities people hunt for, but in a much more delicate and subtle expression.
About Inconnu Wine
Founded in 2013 by Laura Brennan Bissell, Inconnu is a project focused on reflecting the frequently unsung subtlety and elegance that is possible in California wine; an integration of terroir selection, and respect for classical winemaking philosophies. These wines are driven by acid and minerals while embracing a climate that will perpetually leave its fruit perfectly ripened and sun-kissed. They showcase a through-line of gentle constancy and balance while not shying away from physiological ripeness and a devotion to what California has to offer.
Brennan Bissell is focused on working with organic and regeneratively farmed parcels in California, which reflect the way she farms her estate vineyards in Underwood, Washington, in the Columbia Gorge AVA. She seeks out cooler climates and areas with greater diurnal shifts, complex soil compositions, and family-owned parcels – places that ‘just feel right.’
In the cellar, a softer hand is exercised so that the fruit may express itself without the cumbersome approaches frequently taken in conventional winemaking. Patience, she believes, solves problems more effectively than intervention, especially when one knows that they’ve covered most of their bases from the start. Although she was forced to buy a few new barrels for her Washington Lorelei project, she avoids new oak, seeking out 2-3 year barrels, preferably Bordeaux shape, due to the larger evaporative surface. Have no fear, she tops the barrels off meticulously.
White grapes are left to sit cold and untouched for 24-72 hours before pressing, which she finds helps develop the phenolics without increasing tannin and helps give the native yeasts an opportunity to start their work. “The less logical part of me likes to let the grapes make their transition from life support before throwing them into the metaphorical hopper (I’ve never used a hopper). I age my wines until they are ready, and at this point do not let the pressure of such things as ‘rosé season,’ affect my decision-making when it comes to bottling and release. In the grand scheme of things, over a decade in, I am at the beginning of my winemaking career, and these decisions, though monetarily tempting in the short-term, will only be setbacks in the big picture of the type of producer I would like to be.”